I love you dude. Let it rip. [Why you must go watch The Bear right now]
If you’ve been a regular reader of this godforsaken blog, you might’ve read the fictional stories
[Part 1: Girl meets boy & Part 2: The Lost Dog]. It might be a great time to tell you that those
fictional characters were [very] loosely based on my friends in college.
Friends in college can be a whole ass experience because the morons you hang out with
can either make or break you. Literally. They’re like skunks who imprint on your spiritually
and leave you with personality traits that last you a lifetime.
There’s a reason that The Breakfast Club is a cult classic. There’s a reason why every one of
you cried like a bitch when Tony Stark died. There’s a reason why we all sing along to the Barden
Bellas, or love to see three friends outrun bulls and waste tomatoes in Spain and a reason that
when Farhan and Raju go looking for their friend Rancho, we want to go along with them -
because as human beings, we all deserve and need people who get us, who make life simpler.
We are the music we listen to, the movies we watch. We are our chosen family.
The Bear begins with chaos - clear issues the protagonist is dealing with [the show begins
with him dreaming about fighting a bear] and an unruly group of chefs unwilling to accept new
leadership. Problems keep surmounting in an Indian soap opera kinda way. But here’s what
the show tells you what skateboarding has already taught me - persistence is key. It doesn’t
matter how slow you are, as long as you keep going.
You get to see fuckups throughout the first season. You’d think they wrote the idiom ‘too many
cooks spoil the broth’ after watching The Bear. But you know what fuckups lead to in art
and in life - growth. And even under intense heat, and when they’re all over the place [or the
kitchen], they make it work. It’s kinda like when a group of random assassins stop fighting each
other and begin to find common grounds for bonding [yes, I’m narrating the plot of the first
Guardians of the Galaxy movie].
Throughout the two seasons, the elements of the plot prima facie seem chaotic, but give it time,
and you begin to see them working in unison to bring out the hidden flavour. The Bear unravels
like the perfect dish, with its intense, perfectly coordinated longshots [scenes shot with no
breaks], individual characters getting their own dedicated screen time [what I call ‘Sydney’s
tryst with recipes’], a far-from-the-chaos episode dedicated to dudes making dessert, directed
by Ramy Youssef, a delicious cameo from Will Poulter, an eargasm of Tina Karaoking, and an
intriguing love interest [as I like to call it, what not to do when someone gives you the wrong number.
But not all is as smooth sliding as it seems. The Bear keeps it interesting. Chaotic, but controlled.
What it unleashes on you like a real nightmare [dinner with family], follows with a soothing
transformation of a rather unliked character. It seasons each ingredient[character] individually,
and follows up on their personal growth, some of it coming together [and some ending
even more chaotically] in the end. But one thing that the show establishes for certain is the
anxious, dubious second-guessing undertones turning to faith, patience, and trust among Chef
Carmen Berzatto’s chosen family.
another thing the show does deliciously well: the cast's wardrobe |
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